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Heteropterans regularly cause a wide variety and large number of problems for humans - at times on a catastrophic scale. The 37,000 described species of this suborder including many pests, disease transmitters, and nuisances exist worldwide, inflicting damage on crops, forests, orchards, and human life. Inspired by the widespread economic impact of this activity, Heteroptera of Economic Importance presents the most thorough, detailed account of true bugs to date, from the bloodsucking bed bug to the dreaded assassin bug. It is the definitive source for biological information not only on true bugs of economic importance, but on the general biology of the major families of Heteroptera as well.

Heteroptera of Economic Importance integrates the best of insect-focused and crop-oriented references, synthesizing the biology, behavior, and ecology of the true bugs. Each entry includes a detailed life history, helping you to evaluate the impact of harmful and useful Heteroptera. The thorough, comprehensive bibliographies support further research. Separate indices to insects and plants let you adapt the book to your use. It covers the physiology of plant damage and predation by this cosmopolitan group. This coverage, along with information on control measures and natural enemies, helps you evaluate and compare the best methods of management.

Heteroptera can be serious crop pests, harmful to humans, or can be valuable as biological control agents. This work discusses them individually, with expert presentation of the biology, distribution, damage, and control of each economically significant insect. As a resource that lets you easily access information and research on related bugs globally, Heteroptera of Economic Importance lends itself to sharing of ideas and information across geographical boundaries which will inevitably yield more research, new ideas, and better control.

• Sales Rank: #3649897 in Books
• Published on: 2000-07-28
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 7.00" w x 2.25" l, 3.70 pounds
• Binding: Hardcover
• 856 pages

Review
"Carl Schaefer and Anttnio Panizzi have been studying this group of arthropods for many years and therefore their experience and expertise have rendered the book highly refined and thorough... Each chapter commences with a concise and clear statement on the economic relevance of the chosen group, followed by a well articulated summary on the biology, behaviour, and ecology of the bugs, a section on prognosis, and a conclusion that identifies the key areas for future research. Students beginning research on the ecology and behaviour of Heteroptera and scientists working in areas of arthropod pest management and biological control will find the comments in the conclusion extremely relevant... The book includes close to 5000 references and that is a major strength... Indices listing plant and insect names are additional strengths of the book... this book will be useful to agricultural, veterinary, and medical entomologists... and ecologists working on the interactions of Heteroptera with plants and animals, in vector biology, and in biological control... From the ecological and biological points of view, the book is so complete that nothing more, I felt, can be added... Schaefer and Panizzi have done an outstanding job by producing an impressive and a highly useful book." - Oriental Insects, Vol. 36, No. 50, 2002

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Take kids from browsing to building with DK Workbooks: Coding with Scratch Workbook. Created for children ages 6–9, this highly visual workbook builds basic programming skills using Scratch, a free computer coding programming language.

Perfect for beginner coders, DK Workbooks: Coding with Scratch Workbook explains how computer coding works and teaches kids how to complete simple coding actions with clear, step-by-step instructions and fun pixel art. All they need is a desktop or laptop with Adobe 10.2 or later, and an internet connection to download Scratch 2.0. Coding can be done without download on https://scratch.mit.edu.

From conditionals to math equations to animating characters who walk, talk, and dance, young coders will put all these pieces together at the end of the lesson to create a simple "dodge the dragon" game. Then, they can share the game with friends to see if they can top the high score. Kids can even test their coding knowledge with written quizzes at the end of each section and a glossary at the back of the book.

Supporting STEM education initiatives, computer coding teaches kids how to think creatively, work collaboratively, and reason systematically, and is quickly becoming a necessary and sought-after skill. DK's computer coding books are full of fun exercises with step-by-step guidance, making them the perfect introductory tools for building vital skills in computer programming.

• Sales Rank: #9120 in Books
• Published on: 2015-11-03
• Released on: 2015-11-03
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .13" w x 8.50" l, .0 pounds
• Binding: Paperback
• 40 pages

About the Author

Dr. Jon Woodcock has a degree in Physics from the University of Oxford and a PhD in Computational Astrophysics from the University of London. He started coding at the age of eight and has programmed all kinds of computers from single-chip microcontrollers to world-class supercomputers. His many projects include giant space simulations, research in high-tech companies, and intelligent robots made from junk. Jon has a passion for science and technology education, giving talks on space and running computer programming clubs in schools. He has worked on numerous science and technology books as a contributor and consultant, including DK's How Cool Stuff Works and Help Your Kids with Computer Coding.

Most helpful customer reviews

26 of 30 people found the following review helpful.
How to NOT Construct Coding Schema/Learning
By Amazon Customer
Ok. Save your $5 and go to code academy.org. Free. This is trying to learn to code not with actual code or a computer with blocks or html... no it's a workbook version. Very badly written, as well. It reminds me of that tee shirt - "I am a programr... programmmer... oh... drat.. I code." Your child will learn nothing about block mod. No hands on, no learn. Can you learn to sew without string and a needle? No tools.. just words and quizzes.

6 of 6 people found the following review helpful.
Great for parents with no programming background
By JustJerstin
I started using scratch to teach my two year old some fundamentals of computer sciences and computer programming and I picked up the Coding with Scratch Workbook from DK Workbooks to help add some structure to the Scratch lesson I set up with my daughter. For me the DK Workbook has been an essential tool to help me get the most out of Scratch. It has a good selection of step by step tutorials and it's very easy to read and understand.

6 of 7 people found the following review helpful.
My son liked learning from this book.
By Elizabeth
I bought this book from a local book store, not online at Amazon. I gave it to my 12 year-old son who is interested in programming. He really liked the book. He said the star rating for this book should be 4 or 5 stars. He has gone through the entire book. Aspects he liked about the book were: It helped him make games, it was easy to understand and he liked the blocks better than just typing in code. My son said he would recommend this books to other kids who want to learn about coding with scratch.

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• Published on: 1988-12-17
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Since the British colonial period anthropology has been central to policy in India. But today, while the Indian state continues to use ethnography to govern, those who were the "objects" of study are harnessing disciplinary knowledge to redefine their communities, achieve greater prosperity, and secure political rights.

In this groundbreaking study, Townsend Middleton tracks these newfound "lives" of anthropology. Offering simultaneous ethnographies of the people of Darjeeling's quest for "tribal" status and the government anthropologists handling their claims, Middleton exposes how minorities are—and are not—recognized for affirmative action and autonomy. We encounter communities putting on elaborate spectacles of sacrifice, exorcism, bows and arrows, and blood drinking to prove their "primitiveness" and "backwardness." Conversely, we see government anthropologists struggle for the ethnographic truth as communities increasingly turn academic paradigms back upon the state.

The Demands of Recognition offers a compelling look at the escalating politics of tribal recognition in India. At once ethnographic and historical, it chronicles how multicultural governance has motivated the people of Darjeeling to ethnologically redefine themselves—from Gorkha to tribal and back. But as these communities now know, not all forms of difference are legible in the eyes of the state. The Gorkhas' search for recognition has only amplified these communities' anxieties about who they are—and who they must be—if they are to attain the rights, autonomy, and belonging they desire.

• Sales Rank: #233459 in Books
• Published on: 2015-10-21
• Released on: 2015-10-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .90" w x 6.00" l, .90 pounds
• Binding: Paperback
• 304 pages

Review
"In this remarkable ethnography, Townsend Middleton examines the recursive power of ethnographic classification by demonstrating anthropology's powerful role in the politics of postcolonial recognition in India. At once an ethnography of 'tribal' communities in Darjeeling and of the government anthropologists studying them, this dizzying hall of mirrors will provoke and unsettle."—Akhil Gupta, University of California, Los Angeles, author of Red Tape

"This book vividly stages the encounter between the ethnographic state and community politics in northeastern India. Middleton asks how and why a movement for regional sovereignty sought 'the tribal slot' to achieve recognition and redress. He finds the answer in anthropology. With lively prose and keen insight, he illuminates the unruly force of anthropological knowledge within postcolonial governance and rights."—Ajantha Subramanian, Professor of Anthropology and of South Asian Studies, Harvard University

"The Demands of Recognition makes a major contribution to the understanding of contemporary indigenous cultural politics. Middleton has a gift for luminous ethnographic narrative and incisive theoretical formulations."—James Clifford, University of California, Santa Cruz

About the Author
Townsend Middleton is Assistant Professor in the Department of Anthropology at the University of North Carolina at Chapel Hill.

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• Sales Rank: #12139376 in Books
• Published on: 2008
• Binding: Audio CD

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The New York Daily News has called Asleep "enchanting, surreal…Yoshimoto brings readers to another powerful, atmospheric place". Demonstrating again the artful simplicity and depth of her vision, Banana Yoshimoto reestablishes her place as a writer of international stature in a book that may be her most delightful since Kitchen.

In Asleep, Yoshimoto spins the stories of three young women bewitched into a spiritual sleep. One, mourning for a lost lover, finds herself sleepwalking at night. Another, who has embarked on a relationship with a man whose wife is in a coma, finds herself suddenly unable to stay awake. A third finds her sleep haunted by a woman against whom she was once pitted in a love triangle.

Sly and mystical as a ghost story, with a touch of Kafkaesque surrealism, Asleep is an enchanting book from one of the best writers in contemporary international fiction.

• Published on: 2017-03-07
• Formats: Audiobook, MP3 Audio, Unabridged
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x .50" w x 5.25" l,
• Running time: 5 Hours
• Binding: MP3 CD

From Publishers Weekly
Writing in her customary spare yet luminous style, Yoshimoto's latest work consists of three short novellas set in nameless contemporary Japanese cities, each one narrated by a young Japanese woman who has been frozen into a temporary literal or psychic sleep as a result of trauma. Although we meet each woman during a hiatus in her life, these periods are not tragic or ominous, but merely pauses for recovery; part of the charm of the book is the characters' lack of fuss or self-importance. Although each is sufferingAone in mourning for her beloved brother's death, one fragile at the end of a painful affair and one deeply involved with a man whose wife is in a comaAeach woman sees herself as an incidental or supporting character, in refreshing contrast to Western self-involvement. The characters' poise means that they calmly accept dreamlike or supernatural events. It feels utterly right and logical when Shibami meets her lost brother in a strange encounter with his son; when Fumi, with the help of a midget psychic, makes contact with Haru, the woman she had so bitterly resented when they shared the same abusive lover; or when Terako begins to share the deep sleep of her lover's comatose wife. These women share a kind of observant detachment, creating a deceptively casual style; while one does not particularly notice the language, words are used as in a haiku, with as much emphasis on the silences between them as on the space they take up. Especially appealing are the relationships between the cool but very likable female characters. At the core of each novella are two deeply attuned young women, and part of the discovery in each story has to do with the narrator's realization of the importance of this female connection. (June)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Sleep, love, and death serve as the central themes for each of the three short stories in Yoshimoto's (Amrita) latest work. Yoshimoto narrates each piece from the perspective of a strong, central female protagonist. In "Night and Night's Travelers," Shibami tells the story of her sleepwalking cousin, Mari, who is mourning the death of her lover (Shibami's brother, Yoshihiro). In "Voyage to the House of Sleep," Fumi describes her difficulties with Haru, a woman with whom she had once shared a male lover who, although now deceased, haunts her in her sleep. And, in the title work, readers meet Terako, a woman with an unusual penchant for sleep, who must deal with the recent death of her best friend, Shiori, while at the same time struggling with her trying relationship with her boyfriend (a married man whose wife is in a coma). The writing is introspective and, although simple, extremely thought-provoking as Yoshimoto takes her readers on a journey in search of absolution for each of her characters. Followers of Yoshimoto's work will want to read this one. A good selection for academic libraries as well as Asian fiction collections in larger public libraries.
---Shirley N. Quan, Orange Cty. P.L., Santa Ana, CA
Copyright 2000 Reed Business Information, Inc.

From Kirkus Reviews
Three intense, otherworldly novellas, each about a young woman for whom sleep is not a state of rest but an indication of spiritual malaise: the latest from Japan's ever-popular Yoshimoto (Amrita, 1997, etc.).In the first, Night and Night's Travelers, college-aged Shibami still reels from the accidental death of her older brother Yoshihiro, but her pain seems pale in comparison to that of her cousin Mari, who was Yoshihiro's lover and confidante. Wholly incapacitated by his death, Mari moved into Shibami's house and Yoshihiro's room, becoming a part of his family for nearly a year until her grief subsided. When she appears outside Shibami's window one snowy night, however, barefoot and wraithlike, the time has come for the truth about Yoshihiro's other girlfriend, the American Sarah, with whom he moved to Boston and without whom he returned to Japan. Voyage to the House of Sleep charts a different course through grief as a hard-drinking woman, before she plunges into sleep, hears eerie music--sounds that her boyfriend identifies as a call from the dead. Sure enough, a woman the drinker once knew as a rival for the affections of another man has died--drunk herself to death, in fact--and, with the help of her boyfriend and a midget medium, the two women make contact, if only to explain that although they treated each other abominably, they were also friends and could have been more than just that. The title story features a woman who sleeps more and more in an effort to escape from joblessness, the death of her closest friend, and the fact that her boyfriend's wife is in a coma, unlikely to awaken. Only a dreamlike encounter with that wife, who tells her to go out and get a job, frees her from her lethargy and allows her to resume a normal life.Astute, darkly atmospheric, and charged with the uncanny: Yoshimoto's best in quite a while. -- Copyright © 2000 Kirkus Associates, LP. All rights reserved.

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11 of 11 people found the following review helpful.
another winner from a unique writer
By A Customer
yoshimoto banana has a way of looking at the world through literature that is unique of any other in the world. She tells as it is and reflects upon any emotion the character may be feeling. In this way, just as our memories are a constant stream of events, Yoshimoto's characters are free to reflect, to dwell on things, and to suddenly remember something. She isn't afraid to mention things again or to say something that you don't see coming. Her endings are very true to life as well. She's not afraid of tragedy and her characters show this. Asleep is an incredible and VERY REAL book. Another winner for Yoshimoto. I liked ASLEEP best of the three novellas. Her characters seem so complete as to have such complicated pasts. Pick it up today for something truly unique.

10 of 11 people found the following review helpful.
Somnambulism
By Zack Davisson
Slumber, Drunkenness, Death and Love are the topics explored in Banana Yoshimoto's "Asleep." As with "Kitchen," there are three novellas linked thematically but not by characters or plot. Three women, all in love with someone emotionally of physically dead, all troubled sleepers, all drinkers, try to find rest and quietude that is not found in sleep. Each aspect is a metaphor for the unconscious, where perhaps the answers lie. For in this sleep of death, who know what dreams may come? Girlfriend in a coma, I know, I know it's really serious. Drink, don't think. Seeking answers, the women look to their friends, their family, magical dwarfs or anyone who can help.
"Asleep" is told in Yoshimoto style, like a story overheard with half-open eyes while drifting off to sleep. It is semi-magical and dreamy, but still in touch with the real world. The pacing, the narrative are all influenced by classical Japanese literature. Her writing is very gentle, very feminine. And poetic.
An enjoyable, lazy book. Good for seekers of love and those who cannot sleep at night.

32 of 41 people found the following review helpful.
Where is my mind?
By peter wild
Okay so. I'm on a train, I'm on a bus, I'm on a plane. I'm in transit. For "transit" read that time that exists outside of time. The time between times. I'm neither in one place or another. I'm between zones. Transit is the perfect place for Banana Yoshimoto, because I can't quite make up my mind about her.
I liked "Kitchen" and I hated "Amrita". Just so you know where I'm coming from. I thought "Kitchen" was intriguing in a Douglas Coupland-y way. I thought "Amrita" was dull dull dull. "Amrita" was one of those books you read where you spend half the time checking how much you've read (am I half way yet? am I half way yet? does this book go on forever? you get the message).
It could be a translation thing. What was it Shelley said about translation? Something about how translation is like putting a violet in a crucible? Something like that.
"Asleep" is funny. Not funny haha. Funny peculiar.
Three shortish stories making up one shortish book. Each story has its own characters. None of the characters from one story decamp to another. Yet, there is a sense that you tread similar ground three times here. There are dead people at the heart of the book. Dead brothers. Dead lovers. Dead friends. Dead rivals. Living people mistaken for ghosts. Mourning girls who walk through snow without noticing the cold.
It's kind of half "Kitchen" and half "Amrita". Parts of it are intriguing - in that parts of it suggest there is more at work here than the casual unfolding of ordinary lives - and parts of it feel bad. Parts of it feel badly written. Or badly translated. Hard to tell. Certain passages read like excerpts from a teenager's diary or a New Age self-help book.
"Asleep" is like some weird kind of textual anemone : it draws you in, it knocks you back. You want to praise the fragility of the emotion, you want to curse the blandness of the thoughts.
You get the impression that Banana enjoys dreams, the significance of dreams, the roles that dreams play in life and sleep. This is true in "Kitchen" and "Amrita" too. Banana appears to enjoy using dreams as a function. Dreams tell you as much about Banana Yoshimoto's characters as suits and ties do in HG Wells.
There is contrivance here. Elaborate contrivance for little or no effect. At one point - in the story "Asleep" - a character visits a dwarf medium ("Twin Peaks" anyone?) to lay nagging doubts to rest. The doubts are eased. And that's that. It is as if you have been presented with an enormous velvet firework only to find the gunpowder is damp.
There is no centre here. "Asleep" lacks heart or head or a combination of the two. Something.
It's like the time spent in transit I mentioned right at the start : you don't quite know where you are at any given time and you don't quite remember what you passed through when you arrive at your destination. You only wish you could have passed the journey in a more satisfactory way.

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Provides an overview of the broader continuum of collaborative and collective art practices

• Sales Rank: #8847673 in Books
• Published on: 2011
• Binding: Paperback
• 320 pages

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What is emo? For starters it's a form of melodic, confessional, or EMOtional punk rock. But emo is more than a genre of music–it's the defining counterculture movement of the '00s. EVERYBODY HURTS is a reference book for emo, tracing its angsty roots all the way from Shakespeare to Holden Caufield to today's most popular bands.

There's nothing new about that perfect chocolate and peanut butter combination––teenagers and angst. What is new is that emo is the first cultural movement born on the internet. With the development of early social networking sites like Make Out Club (whose mission is to unite "like–minded nerds, loners, indie rockers, record collectors, video gamers, hardcore kids, and artists through friendship, music, and sometimes even love") outcast teens had a place to find each other and share their pain, their opinions, and above all, their music–which wasn't available for sale at the local record store.

Authors Leslie Simon and Trevor Kelley lead the reader through the world of emo including its ideology, music, and fashion, as well as its influences on film, television, and literature. With a healthy dose of snark and sarcasm, EVERYBODY HURTS uses diagrams, illustrations, timelines, and step–by–step instructions to help the reader successfully achieve the ultimate emo lifestyle. Or, alternately, teach him to spot an emo kid across the mall in order to mock him mercilessly.

• Sales Rank: #2507783 in Books
• Published on: 2007-04-24
• Released on: 2007-04-24
• Format: Bargain Price
• Number of items: 1
• Dimensions: 9.13" h x .56" w x 6.13" l,
• Binding: Paperback
• 256 pages

From Publishers Weekly
For those who equate "emo" with lonely, malnourished rock bands, Alternative Press vets Simon and Kelley provide a vivisection of this deceptively large slice of the American pop culture pie: "it's a state of mind...a place for people who don't fit in-but who long to fit in with other people who don't fit in." With casual prose and unflagging energy, the authors look at a laundry list of emo affairs: fashion, internet, film, literature and music among them. Simon and Kelley know the territory inside and out, profiling ten emo types ("Trustafarian," "Christian," "Ex-Hardcore"), "emo ancestors" (including Emily Dickinson and Cameron Crowe), a detailed timeline and a comparative " 'Emo' vs. 'So Not Emo' " list-and that's just the first chapter. Unexpected resources and sarcastic swipes abound: record store recommendations segue into clever, cutting guidelines for naming your band. Readers will be reminded of Robert Lanham's The Hipster Handbook (right down to Rob Dobi's detailed, comic-realist illustrations), but like that title, Simon and Kelley's may not appeal to its subjects (emo fans read books primarily "to brag about them in social situations"). On the other hand, would-be scenesters will pick up plenty of tips-though there's a significant possibility that the info here will be dated in six months.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Simon and Kelley describe emo culture slyly in this perky lifestyle guide. Basically, emo is music made by "a bunch of guys barely out of high school" who are concerned "with decidedly high school problems" (heartbreak, friendship, etc.) more than with "approachable hooks." Growing out of and away from increasingly insular punk rock, emo sets lyrics that are very often introspective and achey. Self-centered, whiny songs and introspective posing have been part of rock from the beginning (e.g., "Tell Laura I Love Her," Jim Morrison's tortured-artist act), but with emo they are the center of a packaged subculture pitched to "the preppiest of preps" being "punkish," "lacrosse jocks" who sing along to "weepy acoustic anthems," and "Long Island dudes" who "keep journals, cry in front of girls, and write the word art with a capital A." Simon and Kelley list movies, songs, fashions, and even eating habits to reveal what is and isn't emo. There's a hint of satire in all this, which seems right, given the arch irony of the emo mind-set. Mike Tribby
Copyright © American Library Association. All rights reserved

Review
“A smart, funny and revealing book that’s pretty much a must read for kids in the scene.” (Chris Carrabba, Dashboard Confessional )

“If someone was to ask me, ‘What is emo?,’ I would hand them a copy of EVERYBODY HURTS.” (Matt Rubano, Taking Back Sunday )

“[D]estined to become a staple in any emo music lover’s book collection .” (Myspace.com )

“[T]his book is not only hilarious, but absolutely genius.” (Jason Tate, Absolutepunk.net )

“[T]he essential book for anyone who fancies themselves emo.” (Sarah "Ultragrrrl" Lewitinn, author of The iPod DJ )

Most helpful customer reviews

3 of 3 people found the following review helpful.
Superb
By B. Bickel
This really is the perfect book for anyone looking to know a little more about what it means "to be emo" but its even better for people who already know the scene and just want a good chuckle. The book is a perfect blend of information and comedy, making a nice satirical music book.

10 of 13 people found the following review helpful.
sometimes witty, but ultimately too smug
By Mark Oestreicher
ok, short review. i've been amazed by how the almost-impossible-to-define music genre of emo has proliferated and splintered into dozens of even-more-impossible-to-define subsets and nuances over the past few years. and how emo has become more mainstream, and -- surely -- the haven of the hip white kids. let the truly mainstream have their r&b and hip-hop and top-40. emo, like it's "alternative rock" predecessor, is in the midst of an identity crisis as it's growing popularity is antithetical to its "we're the forgotten" anti-conformity soul.

i admit, i'm a 45 year old dude. i am not allowed to be emo (though it is hilarious that my 14 year-old daughter has recently moved beyond her hip-hop and r&b only musical tastes and raided most of the emo from my itunes, causing a shudder in the generation gap of our household).

i bought this book because i wanted to understand more, and because i thought it looked like fun. and in some ways it provided both. in other ways, it was just too self-effacing and "i'm more hip than you because i make fun of the very affinity group i am part of". a few insights; too many lists of "the right record stores", "the right clothing stores" and such. worth a skim if you're interested in the subject; but not a high recommendation.

3 of 3 people found the following review helpful.
So Funny!
By G. Morgan
(daughter of user)
I finished this book in 3-4 hours. Totally hilarious! It had me cracking up every couple of pages, and I totally agree with the thing about wearing belts so that the buckle is on the side, rather than the front of your pants. AWESOME!!!

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